As the title suggests, the notion of ‘time’ pulls through the programme like a theme, connecting music from different parts of the world – traditionals, popular songs and original compositions – in performances of deep lyricism but also fleet-footed folklore. The repertory spans Albanian and Kosovan traditionals, American songs as well as originals by Rob and Elina.

Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through. It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t fit.

Tomorrow Comes The Harvest is the accumulative efforts of talented musicians and their visions about what makes the art form of music so special, a theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Detroit Techno’s Jeff Mills.