The hope is that The Hot Box will satisfy the huge demand for a nationally available, hosted programme dedicated to just one musical form, something that no longer exists in Ireland. It covers the best in Irish recorded jazz, set it in the wider context of the international language that is jazz. Emphasis will be on enjoyment and a little bit of jazz history, especially as it applies to Ireland, thrown in. There will be a new Hot Box every 2 weeks here on Jazz Ireland.
In Hot Box Episode 20 we pay homage to two jazz festivals that present contrasting pleasures to jazz fans over the October public holiday weekend in Ireland. The one celebrates its 40th anniversary in 2017 and is recognised worldwide as one of the major jazz-focussed events in the calendar, the other remains something of a secret, but gaining in its reach and appeal each year.
In the 19th edition of The Hot Box we revisit the A – Z of Jazz Piano series focusing on the letter G.You will hear from such greats as Benny Green, Erroll Garner, Robert Glasper, Larry Goldings and many more.
Also in The Hot Box #19 we introduce “The Hot Spot” where we feature some new releases hitting the music scene. We have a track from David Rooney’s debut album “Bound Together” and we will also feature Edel Meade who launches her debut album “Blue Fantasia” on 28th of September just a few days from now in the Bello Bar Dublin.
This Hot Box is a special Xtra in memory of John Abercrombie who passed away on August 22, 2017 at the age of 72. In The Hot Box 18 we celebrated “guitar” and though it would be fitting to include an extra special show for Abercrombie.
John Abercrombie was an American jazz guitarist, composer and bandleader. His work explored jazz fusion, post bop, free jazz and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He recorded his debut album, Timeless with Manfred Eicher's ECM label, and recorded principally with this label since then.
In this edition of The Hot Box, Donald Helme rejoices in the rebirth of Dublin Guitar Night (last Tuesday of every month) in its new venue, The Grand Social, and presents a wide ranging soundscape of guitar from Frank Vignola to Laurindo Almeida, from Eric Bibb to Phil Upchurch, and of course, a couple of local heroes too, Hugh Buckley and Nigel Mooney.
The guitar is far and away the most popular instrument in blues, rock and jazz, and that is reflected in the audiences it always attracts. Enjoy nearly an hour and a half of guitar in The Hot Box #18.
The 17th iteration of The Hot Box finds us back in pursuit of jazz piano genius by delving into the files, and this time around we have reached the letter F.
F finds us in rich territory with Cuban maestro Roberto Fonseca, Italian Antonio Farao with top-drawer US bandmates, and the Flanagans, the late Tommy spelled with an “A”, and the young Irish master Scott, spelled with an “I”. The programme concludes with two tracks from 84 year-old Dave Frishberg, swinging pianist, songwriter and vocalist.
In The Hot Box #16 we take a listen to many of the just-released new albums, and also pay tribute to one of jazz’s most luminous pianists, who died in June from cancer at the age of 60, Geri Allen. Geri featured in Hot Box No.7 when we checked out pianists filed under the letter A!
The new material includes a wide range of singers from the latest wonder voice in America, Jazzmeia Horn, to our own Aoife Doyle from her new, self-penned quartet album “Clouds”. Also included are tracks from Diana Krall’s latest album “Turn Up the Quiet”. The show also makes good an omission from Pianists filed under the letter D from Hot Box 12, where tracks from Irish pianist John Donegan were unavailable. John’s new solo album, Jen’s Progress is duly sampled here!
Continuing the epic series on piano players in jazz, Donald has reached the letter E, where he finds one of the most important and influential pianists of all time, Bill Evans. It is probably true that almost all piano players in the modern era have been, to some extent, influenced by Evans.
He was something of a prodigy and began earning money from his music whilst still a teenager, but it wasn’t until he was 30, in 1959, and recorded with Miles Davis on the biggest selling jazz album of all time, Kind of Blue, that he reached beyond a small base of aficionados and found a wider public.